large paintings

The Beauty of Multiples

The Beauty of Multiples

Working in multiples is a game-changer in producing work of higher quality, reducing anxiety during the process and maintaining consistency throughout your artwork. Watch as I talk you through my most recent series of paintings and how working on one informs the decisions made in the others.

Permission To Paint

Permission To Paint

Do you give yourself permission to paint? When there are pressing demands on your time it’s worthwhile to evaluate the importance of the attention you give to your Art. What it means to you and why you want to spend time playing with paint.

Selling Your Art

Selling Your Art

SELLING ART. With the knee-wobbling price of art materials and given that none of us are going to stop producing it’s something that we have to deal with, like it or not. I‘ve learnt that selling Art is a long game. Read my 5 tips for selling your Art.

Building Layers with Mixed Media

Building Layers with Mixed Media

How do you integrate drawing and painting techniques in your artwork? Watch how I vary wet and dry media with differences in types of paint application. Working in this way holds my interest in the process and delivers variety to work with going forward.

Painting with Total Abandon

Painting with Total Abandon

The journey from difficulty and confusion to clarity and joy. That’s the path we are all on with our Art. We are all at different stages of that path – some at the beginning bogged down among the weeds, and others further along emerging into openness where the path widens and the walking is more easy. We can kind of see the way forward – a bit.

How To Catch The Viewer's Eye?

How To Catch The Viewer's Eye?

How do we get the viewer to notice our work? What makes us look twice at something? Knowing how to attract the viewers eye helps us to make more powerful Art.

How to Start a Painting

How to Start a Painting

Some people agonize over starting their paintings, which is a shame really because it’s like setting off on an adventure – but the best sort of adventure. You don’t have to scale heights, get wet, lost or hungry, you don’t even have to leave home. But you ARE venturing into the unknown with very little idea of what will result from the experience.

New Beginnings...

New Beginnings...

I also really enjoyed letting loose with drawing and using dry media a lot more in my paintings when I was working on the large sized paintings. This added a playful looseness which I really liked and prevented me working in a straight-line towards finishing when after each painting session I would draw and scribble over the painting. Coming back into it the next day I would cover a lot of the drawing over but the little remnants that peeped through were really fun suggesting a naivety which I liked.

Tips to Title Your Painting

Tips to Title Your Painting

Now it’s time to carefully sign my name in the bottom right corner, lay down an isolation coat, a couple of coats of varnish and ….. drumroll please, GIVE IT A TITLE. The signing and finishing coats are simple, consider them done! But the title – ugh. My brain slumps in my head, solitary dying sparks fizzle – I’ve got nothing. Not a clue or even a microscopic gem of an idea. NOTHING!!

Stop trying to finish your paintings?

Stop trying to finish your paintings?

the more I know about my practice the more I realise it’s important not to THINK about finishing while I’m painting, and actually to defer finishing for as long as I can.

Be Battle-Ready with your Painting Process

Be Battle-Ready with your Painting Process

Another confession: when I stepped into the studio yesterday on our return and looked at my 4 large paintings leaning against the wall, I felt slightly anxious. How can I move them forward? how can I find some clarity? Can I actually do this?

10 Tips for Painting BIG

10 Tips for Painting BIG

Recently I have started 4 new paintings. These babies are BIG!! Well, they’re the biggest paintings I‘ve ever done. Initially I was a little nervous about starting them as this was foreign territory. I tried not to dwell on the volume of expensive paint I was going to consume, so to quell that nagging fear I ordered another bucket of gesso. That would get me started. I bought myself a couple of wider bigger brushes and I bought a squeegee so I could move the paint around the canvas quickly with one swoop. I was concerned with economy & efficiency you see.